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Showing posts from February 26, 2017

Get Out

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G o see this movie. Right now. Like, leave work if you have to. And it might be better if you leave work and see it during the day because it is scary. Daniel Kaluuya is incredible. The write-up of this film is as follows from IMDB: “A young African American man visits his European American girlfriend’s family estate where he learns that many of its residents, who are black, have gone missing, and he soon learns the horrible truth when another frantic African-American warns him to “get out”. He soon learns this is easier said than done.” I think I would change some things and write it this way: “A young black man visit’s his white girlfriend’s family, and they are crazy. More craziness ensues.” I’m not big on scary movies in general — when I saw  The Babadook , I had to stop watching because I was so scared I started hysterically crying. And trust, that is not an overstatement. My poor boyfriend never got to watch the rest. Get Out  is a genius piece of art. And yes, I c

The Woman in Cabin 10

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F irst of all, I’m jealous of anyone who owns this hardback copy because the water on the front of the dust jacket is bumpy and I think that’s cool. I read this on my Kindle Fire, borrowed from the library. Not the same as bumpy water. This picture is not bumpy. FYI. I was worried I was starting to get sick of this psychological thriller genre — it’s definitely popular at the moment and apparently it’s all I’m reading. This book is also super popular with book clubs, which can be sort of a toss up whether or not that’s positive. The one genre I refuse to read is historical fiction, and for some reason lots of book clubs embrace it — read a biography, if you want to know the history of something. But don’t read  The Other Boleyn Girl  and pretend like it really happened. It didn’t. But I digress. And also, I’m going to do my best not to spoil this book, but I want to discuss it in detail, so you have been warned. There may be spoilers ahead. But if you’re anything like me, you