First of all, I’m jealous of anyone who owns this hardback copy because the water on the front of the dust jacket is bumpy and I think that’s cool. I read this on my Kindle Fire, borrowed from the library. Not the same as bumpy water.
This picture is not bumpy. FYI.
I was worried I was starting to get sick of this psychological thriller genre — it’s definitely popular at the moment and apparently it’s all I’m reading. This book is also super popular with book clubs, which can be sort of a toss up whether or not that’s positive. The one genre I refuse to read is historical fiction, and for some reason lots of book clubs embrace it — read a biography, if you want to know the history of something. But don’t read The Other Boleyn Girl and pretend like it really happened. It didn’t. But I digress. And also, I’m going to do my best not to spoil this book, but I want to discuss it in detail, so you have been warned. There may be spoilers ahead. But if you’re anything like me, you wouldn’t be reading a review of a book if you didn’t want some details about it. Or you’ve already read it, and then I’m not spoiling anything for you. Either way — you have been warned.
This book, not surprisingly, has the same issues as In a Dark, Dark Wood, Ruth Ware’s first novel. Once the mystery is solved, the character still has to find a way out of their situation, and that part drags and drags until the point I found myself not caring what happened and the details didn’t seem to matter at that point. For sure the whole first half was great, but by the time I was 70% done (I told you, I read on the Kindle Fire — you don’t get legit page numbers), I already knew what was happening and it was time to start wrapping up the story. I think Ware could have kept the mystery going a little longer and you’d have a better (and shorter) payoff at the end.
Lo, like Lenore in her previous novel, is a bit of a downer. To the point that I’m guessing Ware might be a bit of a loner herself. However, in The Woman in Cabin 10, Lo is much less obnoxious and at least tries to have some fun. She gets burgled right before leaving on a work assignment, and I’m pretty sure that would make me miserable as well. It was very Agatha Christie with the cast of characters, and maybe a few less people would have made it easier to follow. But you’re immediately on her side and you know she isn’t crazy about what she saw. And realistically, she would have started questioning Ben much sooner if she wasn’t such a flawed person. Not that it mattered, but I’m just saying. I also found it funny that she never tried to write even once about the experience. What if nothing bad had happened at all and they docked like they were supposed to and she didn’t have anything completed? She totally would have gotten fired.
Overall, this was a great book. Not re-readable, but memorable for sure. Ware keeps you interested and enough things happen that you start questioning different characters and their motives. And the ending is a surprise, although it comes too soon. The ultimate ending is satisfying and leaves some mystery behind for discussion. I like when the very last page teases with something more — The Circle has an ending like that too. Maybe it’s a requirement of the genre.
Not as good as The Girl Before, but a close second. Now that I mentioned it, what’s up with the titles of these psychological thrillers?
The Girl Before
The Girl on the Train
Behind Her Eyes
Behind Closed Doors
The Woman in Cabin 10
No way that’s a coincidence. My eyes are narrowing.
Again, these are preliminary, as I have yet to see all the films. - Best Picture: I assume that The Social Network will win, and I hate that there are 10 nominated films. It won't be The Fighter , Inception , The Kids Are All Right , Toy Story 3 . Other than that, I figure Black Swan is in the running, but like I said before - Natalie Portman was awesome in it, but it wasn't the greatest movie overall, you know? So at the moment, I'm sticking with Jesse Eisenberg and Aaron Sorkin. - Best Performance by a Leading Actor: I need to watch The King's Speech , because I bet he's great in it. I also love that Jeff Bridges is nominated again, but he probably won't win. So far the only nominated movie I've seen is The Social Network , and there's no way Jesse Eisenberg is getting the win. For now I say Colin Firth, basing the decision on nothing. :) - Best Performance by a Leading Actress: This is clearly between Annette Bening and Natalie Portman, and I personal...
Please make a list of every possession you consider essential to your life. Creepy but awesome There are a lot of ways to answer that question, and ultimately it matters if we mean essential to living, or essential to modern life. For example, I don’t have to have clothes depending on my situation, but because I have a job and I live in Ohio, I have to have clothes. How much I have is up to me, but I definitely have to have something. I would also include a laptop/tablet/phone on that list, because you have to be able to be reachable for work and by family. But I totally get the point, and that’s how The Girl Before begins. Apparently, I have a different perspective than most, because I still believe The Circle is the greatest thing ever and I would totally sign up for it today. While reading The Girl Before , I also found myself craving minimalism and how nice it would be to not have a thousand items cluttering up your space and your life. Plus, a super tech-centric home ...
Written by Clare Mackintosh, I See You starts like every other psychological thriller I’ve read lately. Vague character details? Check. Swapping narrators? Check. Tone changes in italics? Check. So I figured it would be similar in tone and in narrative. I was still looking forward to the read, but didn’t expect much. Not my copy. Found this picture on google. Same cover art, though. I was wrong. The writing and character development was so intensely realistic and I actually had a nightmare about it last night, and I had only read the first fourth of the book. I know that sounds bad, but it’s actually a really good sign that the book is engaging and feels like real life. I don’t live in London, so other than some of the wording and processes that don’t necessarily make sense to a Midwestern girl from Ohio, I felt like I could be the main character. The dueling narrators didn’t bother me like it has before — I think because they were telling two distinct but c...
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